Edward Pritchett, (British, 1828-1864)
The Rialto bridge, Venice
Oil on canvas
26 x 36 cm. (10 1/4 x 14 3/16 in.)
Private collection
The first dry crossing of the Grand Canal was a pontoon bridge built in 1181 by Nicolò Barattieri. It was called the Ponte della Moneta, presumably because of the mint that stood near its eastern entrance.
The development and importance of the Rialto market on the eastern bank increased traffic on the floating bridge, so it was replaced in 1255 by a wooden bridge.[2] This structure had two inclined ramps meeting at a movable central section, that could be raised to allow the passage of tall ships. The connection with the market eventually led to a change of name for the bridge. During the first half of the 15th century, two rows of shops were built along the sides of the bridge. The rents brought an income to the State Treasury, which helped maintain the bridge. More on the Rialto Bridge
Edward Pritchett (fl. 1828 – 1864) was a nineteenth-century English painter and man of mystery.
Nothing is known of Pritchett's life; he has appropriately been described as "elusive." He may have lived to 1879. Pritchett spent more than three decades living and working in Venice, producing admirable views of the city; he was one of a group of English artists who produced notable records of the scenes of northern Italy, a group that included John Wharlton Bunney, James Holland, the brothers-in-law Luke Fildes and Henry Woods, and, in a later generation, William Logsdail. More on Edward Pritchett
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