01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #39

Antonietta Brandeis, MISKOVICE 1849 - 1926 FLORENCE, 

VENICE, A VIEW OF THE LAGOON

Oil on panel

5 3/4  by 9 5/8  in.; 14.6 by 24.5 cm.

Private collection

Antonietta Brandeis (also known as Antonie Brandeisova and Antonio Brandeis) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces.

She was born in Miskovice in Eastern Europe. The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javurek of Prague. After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice.

In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy.

During her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students. More on Antonietta Brandeis

Please visit my other blogs: Art Collector, Mythology, Marine Art, and The Canals of Venice

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01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #38

Antonietta Brandeis, 1849 - 1920, CZECH

The Bridge of Sighs

Oil on panel

21.5 by 12cm., 8½ by 4¾in. (2)

Private collection

The Bridge of Sighs is an enclosed bridge made of white limestone. It has windows with stone bars, passes over the Rio di Palazzo, and connects the New Prison to the interrogation rooms in the Doge's Palace. 

The view from the Bridge of Sighs was the last view of Venice that convicts saw before their imprisonment. The bridge's name, given by Lord Byron, comes from the suggestion that prisoners would sigh at their final view of beautiful Venice through the window before being taken down to their cells. In reality, the days of inquisitions and summary executions were over by the time the bridge was built. More on The Bridge of Sighs

Antonietta Brandeis (also known as Antonie Brandeisova and Antonio Brandeis) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces.

She was born in Miskovice in Eastern Europe. The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javurek of Prague. After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice.

In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy.

During her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students. More on Antonietta Brandeis

Please visit my other blogs: Art Collector, Mythology, Marine Art, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #25

Antonietta Brandeis, (Czech, 1849-1926)

Manin Palace, Venice 

Oil on panel

23.5 x 14cm (9 1/4 x 5 1/2in).

Private collection

Palazzo Dolfin Manin is a palace in the sestiere of San Marco on the Canal Grande of Venice, northern Italy. It is located near the Palazzo Bembo, not far from the Rialto Bridge. It was built by the noble Dolfin family starting from 1536, in order to renovate their previous residence, formed by two separate medieval edifices. The construction cost some 30,000 ducats, and was designed by Jacopo Sansovino.

A renovation program was carried on under the last Venetian doge, Ludovico Manin, who commissioned the works to Giannantonio Selva. Ludovico Manin spent here in segregation his last years, after signing the Treaty of Campoformio which ended the Republic of Venice.


His family held the palace until 1867, when it was acquired by the Banca Nazionale del Regno: the latter's successor, the Banca d'Italia, has currently its Venetian seat here. The palace underwent several restorations in 1968-1971 and again in 2002. More on Palazzo Dolfin Manin

Antonietta Brandeis (also known as Antonie Brandeisova and Antonio Brandeis) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces.

She was born in Miskovice in Eastern Europe. The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javurek of Prague. After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice.

In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy.

During her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students. More on Antonietta Brandeis

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

We do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #24

Antonietta Brandeis, (Czechoslovakian, 1849-1910)

The Dogana, Venezia 

Oil on panel

12 x 21.4cm (4 3/4 x 8 7/16in).

Private collection

During the fifteenth century, developments in Venice’s commercial activities led to the Sea Customs House, which had previously been near the Arsenal, being transferred to the western point of Dorsoduro. The building as it stands today was completed in 1682, five years before the nearby Basilia of the Salute. Architect Giuiseppe Benoni’s work is characterised by the tower surmounted by a sculptural group representing two Atlases lifting a golden bronze sphere on the top of which is Fortune, which, by turning, indicates the direction of the wind. The building continued to be a customs house, and thus intrinsically linked to the city’s history. More on The Dogana

Antonietta Brandeis (also known as Antonie Brandeisova and Antonio Brandeis) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces.

She was born in Miskovice in Eastern Europe. The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javurek of Prague. After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice.

In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy.

During her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students. More on Antonietta Brandeis

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

We do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #23

Antonietta Brandeis (Czechoslovakian, 1849-1910)

Palazzo Albrizzi, Venezia 

Oil on panel

46.2 x 27.3cm (18 3/16 x 10 3/4in).

Private collection

Palazzo Albrizzi (or Palazzo Bonomo Albrizzi ) is a palace in Venice , located in the San Polo district , near the Ponte delle Tette and not far from Campo San Polo and Sant'Aponal .

Before being  the historic residence of the Albrizzi family , the palace had been built by the Bonomo family at the end of the 16th century . A typical sixteenth-century manor house, the palace has been particularly well preserved in its original architectural features, becoming the home of the noble Venetian Albrizzi family .

Palazzo Albrizzi is articulated on three levels, with mezzanine and mezzanine in the attic. It has two main facades, one on Campiello Albrizzi and one on the stream. Both are centrally characterized to the two noble floors by overlapping serliane and by four single- lancet windows in stone frame. More on Palazzo Albrizzi 

Antonietta Brandeis (also known as Antonie Brandeisova and Antonio Brandeis) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces.

She was born in Miskovice in Eastern Europe. The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javurek of Prague. After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice.

In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy.

During her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students. More on Antonietta Brandeis

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

We do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.