01 Painting of the Canals of Venice by the artists of their time, with foot notes. #59

Master of the Langmatt Foundation, possibly Apollonio Domenichini (1715–1770)

Venice, view of the Fondamenta Nuove from the island of San Michele with the Ospedale and the church of San Lazzaro dei Mendicanti as well as the Canale Fondamento Nuovo and the Ponte dei Mendicanti, c. 1770

Oil on canvas

58 x 62 cm

Palais Dorotheum

The Fondamente Nove or Nuove (New Foundations) form a long series of quays forming the northern limit of the city of Venice and located on the horses of the sestieri of Cannaregio and Castello.

Approximately one kilometer long, the Nove Fondamente were made in the XVI th.  century after the burial of the lagoon band between the Canale della Misericordia and the area of Giustina Santa .

A decree by the Senate of 1589 established that the quays were to be made of stone. In the famous town plan made by Jacopo de 'Barbari in 1500, it is possible to see how the boundary between the city and the lagoon was receded by more than one hundred meters, compared to the present. On this band, won over from the sea, were built a series of dwellings on the luays that face the lagoon to the north.

Currently, the Nove Fundamentals are mostly known as the starting point for ferries to the north of the lagoon and the airport. They also run alongside the civil hospital of Venice. More on The Fondamente Nove

Apollonio Domenichini, alternatively referred to as the Maestro della Fondazione Langmatt, or Menichini or il Menichino (Venice, 1715 - c.1770) was an Italian painter of vedute, active in Venice, Italy, between 1740 and 1770.

He was a pupil of Luca Carlevarijs and Johan Richter. He is best known for his pictorial representations of views of Venice and its surroundings. His name is recorded in the records of the fraglia or guild of Venetian painters in 1757, and it often appears as the painter of many works sent by the art dealer Giovanni Maria Sasso to the English minister John Strange in the second half of the eighteenth century. His name was proposed as the "master of the Langmatt Foundation" name from the series of thirteen vedute owned by the Langmatt Foundation in Baden near Zurich. More on Apollonio Domenichini

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, and The Canals of Venice

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01 Painting of the Canals of Venice by the artists of their time, with foot notes. #58

Apollonio Facchinetti, called Domenichini, VENICE 1715 - 1757

VENICE, A VIEW OF THE GRAND CANAL

oil on canvas

11 1/2  by 18 1/8  in.; 29.2 by 46.1 cm.

Private collection

The Grand Canal in Venice, Italy forms one of the major water-traffic corridors in the city. Public transport is provided by water buses and private water taxis, and many tourists explore the canal by gondola.

One end of the canal leads into the lagoon near the Santa Lucia railway station and the other end leads into Saint Mark Basin; in between, it makes a large reverse-S shape through the central districts of Venice. More Grand Canal

Apollonio Domenichini, alternatively referred to as the Maestro della Fondazione Langmatt, or Menichini or il Menichino (Venice, 1715 - c.1770) was an Italian painter of vedute, active in Venice, Italy, between 1740 and 1770.

He was a pupil of Luca Carlevarijs and Johan Richter. He is best known for his pictorial representations of views of Venice and its surroundings. His name is recorded in the records of the fraglia or guild of Venetian painters in 1757, and it often appears as the painter of many works sent by the art dealer Giovanni Maria Sasso to the English minister John Strange in the second half of the eighteenth century. His name was proposed as the "master of the Langmatt Foundation" name from the series of thirteen vedute owned by the Langmatt Foundation in Baden near Zurich. More on Apollonio Domenichini

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, and The Canals of Venice

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

01 Painting of the Canals of Venice, with foot notes. #57

Edward Pritchett, (British, 1828-1864)

The Rialto bridge, Venice 

Oil on canvas 

26 x 36 cm. (10 1/4 x 14 3/16 in.)

Private collection

The first dry crossing of the Grand Canal was a pontoon bridge built in 1181 by Nicolò Barattieri. It was called the Ponte della Moneta, presumably because of the mint that stood near its eastern entrance.

The development and importance of the Rialto market on the eastern bank increased traffic on the floating bridge, so it was replaced in 1255 by a wooden bridge.[2] This structure had two inclined ramps meeting at a movable central section, that could be raised to allow the passage of tall ships. The connection with the market eventually led to a change of name for the bridge. During the first half of the 15th century, two rows of shops were built along the sides of the bridge. The rents brought an income to the State Treasury, which helped maintain the bridge. More on the Rialto Bridge

Edward Pritchett (fl. 1828 – 1864) was a nineteenth-century English painter and man of mystery.

Nothing is known of Pritchett's life; he has appropriately been described as "elusive." He may have lived to 1879. Pritchett spent more than three decades living and working in Venice, producing admirable views of the city; he was one of a group of English artists who produced notable records of the scenes of northern Italy, a group that included John Wharlton Bunney, James Holland, the brothers-in-law Luke Fildes and Henry Woods, and, in a later generation, William Logsdail. More on Edward Pritchett

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, And visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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