Raoul Dufy, 1877 - 1953
SANTA MARIA DELLA SALUTE, VENISE, c. 1938.
Watercolor and gouache on wove Arches paper
19 3/4 by 25 3/4 in., 50 by 65.5 cm
Private Collection
Santa Maria della Salute (English: Saint Mary of
Health), commonly known simply as the Salute, is a Roman Catholic
church and minor basilica located at Punta della Dogana in the Dorsoduro
sestiere of the city of Venice, Italy.
It stands
on the narrow finger of Punta della Dogana, between the Grand Canal and the
Giudecca Canal, at the Bacino di San Marco, making the church visible when
entering the Piazza San Marco from the water. The Salute is part of the parish
of the Gesuati and is the most recent of the so-called plague churches.
In 1630,
Venice experienced an unusually devastating outbreak of the plague. As a votive
offering for the city's deliverance from the pestilence, the Republic of Venice
vowed to build and dedicate a church to Our Lady of Health (or of Deliverance,
Italian: Salute). The church was designed in the then fashionable baroque style
by Baldassare Longhena. Construction began in 1631. Most of the objects of art
housed in the church bear references to the Black Death.
The dome of the Salute was an important addition to the
Venice skyline and soon became emblematic of the city, inspiring artists like
Canaletto, J. M. W. Turner, John Singer Sargent, and the Venetian artist
Francesco Guardi. More
on Santa Maria della Salute
Raoul Dufy (3 June 1877 – 23 March 1953) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture, and a planner of public spaces. More on Raoul Dufy
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