The Canals of Venice

02 Paintings of the Canals of Venice by Elizabeth Elkin, with footnotes. #98

Elizabeth Elkin, Canada

In Venice

Oil on Canvas.

36 W x 24 H x 0.8 in

Elizabeth Elkin is a renowned professional artist with an international reputation and over thirty years of experience. The true innovation of her work lies in the power of her vibrant colors, her museum quality works of expressionist art. Elizabeth has exhibited her work both locally and internationally for many years. Her works have also been featured in several publications. In 2014 her work was published in the West of the City magazine and in 2002. Elizabeth has had a life-long dedication to visual arts. She is an elected member of the Society of Canadian Artists, Colour and Form Society and Ontario Society of Artists. Elizabeth’s paintings can be found in the collections of MBA Ottawa University, Government of Ontario Art Collection and 300+ private collections around the world. More on Elizabeth Elkin, You can also follow Elizabeth Elkin on Linkedin

Elizabeth Elkin, Canada

Gondola Ride

Oil on Canvas

30 W x 30 H x 1.5 in

Private collection

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01 Painting of the Canals of Venice, Brian Kewley's Piazza San Marco, with footnotes. #96

Brian Kewley, (1933 - )

Piazza San Marco, c.1971

Pen, gouache and wash on paper

36.5 x 54.5cm

Private collection

Piazza San Marco or St. Mark’s Square is the main public square in Venice. The Piazza is located in front of the great Byzantine church known as Basilica di San Marco. This Piazza is surrounded by shops, caffè’s and palazzi on three sides. According to local legend Napoleon called the Piazza San Marco “the drawing room of Europe.” More on Piazza San Marco

Melbourne artist, Brian Kewley, was born in 1933 about 100 metres from Hamptons bayside beach. He has lived, sailed, fished and painted there all his life. The subjects of his paintings include Elwood, Point Ormond, St. Kilda and Port Melbourne, for it is these locations that have inspired his art. Many are painted on the spot in an attempt to capture the light, movement and dazzle of the water. Other subjects, like Brighton Beach, have been painted from an aerial perspective. His subjects later extended to the Peninsula as far as Flinders and to the city of Melbourne. A veteran of more than 22 solo exhibitions since 1965, Brian Kewleys' paintings evoke immense pleasure while they record the changes that Melbourne has undergone over past years. More on Brian Kewley

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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02 Paintings of the Canals of Venice by Wendy Sharpe, with footnotes. #95

Wendy Sharpe (b. 1960)

Woman with Yellow Top (with Basilica di San Marco in the background)

Gouache Painting

35cm x 27cm

Private collection

Wendy Sharpe, (b. 1960)

Tourists on the Canal

Oil on canvas

122.0 x 136.0 cm

Private collection

Wendy Sharpe (born 1960 in Sydney) is an Australian Artist who lives and works in Sydney and Paris. She counts among her influences paintings by Chaim Soutine and Max Beckmann. She is the winner of numerous major awards including the Archibald Prize, the Sulman Prize, the Portia Geach Memorial Prize and The Adelaide Perry Drawing Prize. She was commissioned by the Australian War Memorial as an official Australian War Artist in East Timor in 1999-2000 (the First woman since World War II).

Sharpe undertook art studies in Sydney between 1978 and 1984 and held her first solo exhibition at the Nicholson Street Gallery in 1985.

Renowned for her richly-coloured, carnivalesque and variously-perspectived works, she is particularly interested in the curvaceous, voluptuous forms of dancers, acrobats, drag artists and burlesque performers and the effects of stage, street and domestic lighting. More on Wendy Sharpe

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01 Painting of the Canals of Venice, Julian Barrow's Santa Maria della Salute, with footnotes. #94

Julian Barrow, 1939 - 2013

Santa Maria della Salute, VENICE

Oil on canvas

14 x 18 inches (35.6 x 45.7 cm)

Private collection

Santa Maria della Salute (English: Saint Mary of Health), commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy.

It stands on the narrow finger of Punta della Dogana, between the Grand Canal and the Giudecca Canal, at the Bacino di San Marco, making the church visible when entering the Piazza San Marco from the water. The Salute is part of the parish of the Gesuati and is the most recent of the so-called plague churches.

In 1630, Venice experienced an unusually devastating outbreak of the plague. As a votive offering for the city's deliverance from the pestilence, the Republic of Venice vowed to build and dedicate a church to Our Lady of Health (or of Deliverance, Italian: Salute). The church was designed in the then fashionable baroque style by Baldassare Longhena. Construction began in 1631. Most of the objects of art housed in the church bear references to the Black Death.

The dome of the Salute was an important addition to the Venice skyline and soon became emblematic of the city, inspiring artists like Canaletto, J. M. W. Turner, John Singer Sargent, and the Venetian artist Francesco Guardi. More on Santa Maria della Salute

Julian Barrow was born in Cumberland but lived for most of his life in London. He studied in Florence with Pietro Annigoni, and was an inveterate traveler, painting views throughout the world.

Julian Barrow was described as "a country house painter par excellence" and his commissions for interiors and exteriors of country estates took him all over England, Scotland, Ireland, and America. He also painted many of the private clubs in London and New York. In 1977, for the Queen's Silver Jubilee, Barrow produced a painting of the House of Lords which now hangs at Westminster. More on Julian Barrow

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01 Painting of the Canals of Venice, Mike Bernard's VENETIAN CANAL with footnotes. #93

Mike Bernard (b. 1957)

THE VENETIAN CANAL

Mixed media

55 cm by 75 cm; 21 1/2 in by 29 1/2 in

Private collection

Mike Bernard (born 1957) is an English painter. His highly textured semi-abstract paintings are often executed in mixed media incorporating collage and acrylics; he also brings an experimental approach to watercolour and oils. Regular subjects include coastal and street scenes in the English West Country and Italy. "What attracts me most is the pattern of buildings, boats and similar features in a scene. I build a painting by putting in blocks of colour to develop a pattern which is pleasing to my eye in colours which are harmonious, bringing in feelings of spontaneity, freshness and freedom."

Bernard was born in Dover, Kent. He trained at the West Surrey College of Art and Design, Farnham, followed by postgraduate studies at the Royal Academy Schools. Since then he has exhibited at the Royal Academy summer exhibition, Mall Galleries, Royal Festival Hall and many other galleries in London and the provinces. He has also gained awards and prizes for his paintings.

Bernard lives and works in North Devon, having moved there in 2008 from Hampshire. He is a regular contributor to The Artist magazine. More on Mike Bernard

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01 Painting of the Canals of Venice, Mike Bernard's FLOATING MARKET, with footnotes. #92

Mike Bernard (b. 1957)

THE FLOATING MARKET, VENICE

Mixed media

61 cm by 69 cm; 24 in by 27 in

Private collection

A floating market is a market where goods are sold from boats. Originating in times and places where water transport played an important role in daily life, most floating markets operating today mainly serve as tourist attractions.

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01 Painting of the Canals of Venice, Rudolf Ritter von Alt's Canal in Venice, with footnotes. #90

Rudolf Ritter von Alt, Austrian, 1812 - 1905

Canal in Venice, c. 1871

Watercolour over pencil on paper

27 by 37cm., 10½ by 14½in.

Private collection

Rudolf Ritter von Alt (28 August 1812 – 12 March 1905) was an Austrian landscape and architectural painter. Born as Rudolf Alt, he could call himself von Alt and held the title of a Ritter (knight) after he gained nobility in 1889.

Born in Vienna, he studied at the Akademie der bildenden Künste in Vienna. Hiking-trips through the Austrian Alps and northern Italy awoke a love for landscapes, and he painted with his brush using watercolors in a very realistic and detailed style. In 1833, inspired by a visit to Venice and neighbouring cities, he also made a number of architectural paintings.

Alt demonstrated a remarkable talent for expressing certain peculiarities in nature. He managed to paint nature authentically by focusing on the different hues of sky, the colour-tone of the air and the vegetation. His later works came closer to Impressionism. His perspectives on architecture were interesting, and he often chose everyday objects to paint. The painting of interior views also became one of his strong points, giving him attention in Vienna.

He visited and worked for a while in Rome and Naples; after that he visited the lakes of Lombardy, then Galicia, Bohemia, Dalmatia, Bavaria and then returned multiple times to Italy. In 1863 he went to the Crimea to paint some views of an estate of the Empress, and in 1867 he went to Sicily.

Alt died in Vienna in 1905. More on Rudolf Ritter von Alt

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01 Painting of the Canals of Venice. Henry Martin Gasser's The Supply Boat , with footnotes. #89

Henry Martin Gasser, American, 1909-1981

The Supply Boat

Watercolor and gouache with traces of pencil on paper laid to board

12 3/4 x 17 inches

Private collection

Henry Martin Gasser, American (1909 - 1981) was born in Newark, New Jersey. He lived, studied and worked in New Jersey for his entire life. A Master at watercolor and oil his work consisted of, in his own words, "everyday subjects that are available to most of us-street scenes, back yards, trees, old houses, etc I looked for them in front of houses, in backyards, public parks, and elsewhere". He also painted numerous harbor and fishing village scenes. His Paintings contain a great deal of what he called "solitary silence" created by chosen subject matter such as a "Coming Storm", "Night in the Park", "Shadows"... He felt that Design was very important and meant the difference between a mediocre work and a truly professional one. It is here where Gasser excelled, his work demonstrates a sense of composition that gained wide spread appreciation for his work.

He got his background in art studying at the Newark School of Fine and Industrial Art and the Grand Central School of Art. This was followed by study at the Art Students League of New York in the classes of Robert Bracman. He later studied privately under John R. Grabach. He is represented in over fifty museum collections and numerous important private ones as well. He served as Director of the Newark School of Fine and Industrial Art from 1946-54 then continued lecturing and demonstrating for most of the remainder of his life. He also wrote numerous books on painting. He died in Orange, NJ in 1981. More on Henry Martin Gasser

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01 Painting of the Canals of Venice, Hercules Brabazon Brabazon's Zattere, Venice , with footnotes. #88

Hercules Brabazon Brabazon, (1821 - 1906)

Zattere, Venice

Gouache and watercolour

8.75 x 10.75in.

Private collection

The Zattere was built in 1519 and first used as a landing dock for the delivery of timber used to construct ships and buildings, which gave the quay the name Zattere, Italian for raft.

The timber gone, the Zattere today is a spacious promenade that runs along the entire southern shore of Venice's Dorsoduro District, from the Marittima and San Basilio all the way to the Punta della Dogana. The island of Giudecca lies immediately to the south and a walk along the Zattere provides excellent Chiesa del Redentore, La Giudecca, Venice. More on The Zattere

Hercules Brabazon Brabazon (born Hercules Brabazon Sharpe; 27 November 1821 – 14 May 1906) was an English artist, accomplished in Turner-manner watercolours.

Brabazon was the younger son of Hercules Sharpe. Initially raised in Paris, he moved with his family to Oaklands, an estate near Sedlescombe, East Sussex, in 1832. He attended Harrow School, the École Privat, Geneva, and Trinity College, Cambridge, graduating with a B.A. in mathematics in 1844.

His father then wanted him to study law, but instead he left England and went to Rome to study music and art His father attempted to make him return by reducing his allowance, but in 1847, upon the death of his elder brother, he gained financial independence when he inherited family estates in Connaught, the will requiring that he change his surname to Brabazon. From then on he led a life of travel, art study and painting.

In 1858 he inherited Oaklands, whose management he left to his brother-in-law while he continued to travel - mostly in Europe, but with trips to Africa and India - always returning with his watercolours. Describing himself as living "for Art and Sunshine", he viewed himself as a gentleman amateur, and did not show or try to sell his work until his mid-seventies.

With the encouragement of artist friends, particularly John Singer Sargent, he began to exhibit, first at the New English Art Club, followed by successful one-man exhibitions at the Goupil Gallery in Bond Street. He died at Sedlescombe in 1906, and is buried there More on Hercules Brabazon Brabazon

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02 Paintings of the Canals of Venice by John Bratby, with footnotes. #87

John Bratby R.A. (British, 1928-1992)

Lazy Back Canal and Arch and Gondola in Venice

Oil on canvas

91.5 x 121.5cm (36 x 47 13/16in)

Private collection

John Randall Bratby, (born July 19, 1928, Wimbledon, Surrey.—died July 20, 1992, Hastings, East Sussex), was a British painter who rose to prominence in the 1950s as a member of the Kitchen Sink School, a group of British social-realist artists who paralleled the literary Angry Young Men of the decade.

Although he was accepted at the Slade School of Fine Art, Bratby attended the Royal College of Art (1951–54). His first solo exhibition, mounted at the Beaux Arts Gallery in London (1954), gained him instant popularity. For many years after his artwork appeared in the motion picture The Horse’s Mouth (1958), he was identified in the popular imagination with the film’s protagonist, a bohemian artist. Bratby was particularly known for the feverish speed at which he worked and for the thick texture of his vividly coloured, Expressionistic paintings, into which he often incorporated everyday objects. His productivity did not decline with his popularity in the 1960s, as he continued to create thousands of sketches and paintings, including hundreds of portraits. He wrote several autobiographical novels, notably Breakdown (1960), and served as editor in chief of Art Quarterly from 1987. More on John Randall Bratby

John Bratby R.A. (British, 1928-1992)

Gondola, Venice

Oil on canvas

114 x 89cm (44 7/8 x 35 1/16in)

Private collection

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01 Painting of the Canals of Venice, Epaminondas Thomopoulos' Venice, with footnotes. #86

Epaminondas Thomopoulos, (1878 - 1974)

Venice

Oil on hardboard

29.2 x 29.2 cm

Private collection

Epameinondas Thomopoulos (1878 - January 4, 1976) went as a boarder to school at the Institute of Kapodistrias in Corfu from 1892 to 1895. In 1896 he went to Naples where he studied at the Academy of Fine Arts until 1899. He continued his studies at the Academy of Fine Arts in Rome from 1899 to 1900. From 1901 to 1903 he studied at the Academy of Fine Arts in Venice. In 1915 he became Professor of the School of Fine Arts in Athens teaching until 1948 and in 1945 he was elected Director of the School. He died in Athens in 1976.

Most of his works and drawings are related with nature. Many of these are preserved in the Patras city hall and the National Gallery of Greece.

In 1996, the city of Patras awarded a large spot in the National Gallery of the city. More on Epameinondas Thomopoulos

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