01 Painting of the Canals of Venice, Song Jiang's Venice Charm, with footnotes. #110

Song Jiang, (Chinese, b.1955)

Venice Charm, c. 2001

Oil on artist's board

9.25 x 7.5 in.  19 x 16 in

Private collection

Chinese-born Canadian painter Xiao Song Jiang was born in 1955, in Wuhan, China. In 1978 he studied fine arts at the China Academy of Art, formerly the Zhejiang Art Academy, then began lecturing watercolor at the City of Wuhan Construction College. Four years after, Song was selected to further develop his skill at the provincial Hubei Art Academy.

In 1988, Song immigrated to Canada. While there, he travelled widely from coast to coast and gained some 20 years of experience forming his unique style of a mixture of brush and knife. More on Song Jiang

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02 Paintings of the Canals of Venice, Antoine Bouvard and Slobodan Paunovic's Il Rio del Lovo, with footnotes. #109

Antoine Bouvard (French, 1870-1956)

Venice Il Rio del Lovo

Oil on canvas

26 x 19-3/4 inches (66.0 x 50.2 cm)

Private collection

Rio del Lovo is a canal in Venice in the sestiere of San Marco . 

This rio is a very popular route for gondoliers. It connects the confluence of the rio dei Ferali , rio dei Bareteri and rio dei Scoacamini in a northwesterly direction with the Grand Canal.

The rio first passes under the ponte de le Balote on the eponymous street.

Further to the northwest, the rio passes under the ponte del Lovo , connecting the calle of the same name to the calle del Teatro , a reference to theCarlo-Goldoni theatre , nearby.

Finally, the rio runs along the Scuola Grande di San Teodoro on its eastern flank before emerging under the Ludovico Manin bridge on the Grand Canal between the Dolfin Manin Palace and the Bembo Palace.. This bridge connects Riva del Ferro and Riva del Carbon. More on Rio del Lovo

Antoine Bouvard, St. Jean-de-Bournay, 1870 - 1956 was a French landscape artist who notably often painted under the pseudonym Marc Aldine. Bouvard remains best known for his renderings of Venetian canal scenes, painted in warm tones and a hazy light that often accompanies the setting of the sun. A typical work is A Gondolier Before a Venetian Bridge, depicting the grand canal of the famous Italian city in a realist style that remained popular with tourists throughout his career. He was notably influenced by the French painter Félix Ziem, who was also popular for his poetic depictions of maritime scenes and port cities. Bouvard was born in 1870 in St. Jean-de-Bournay in L'Isere, France, and went on to study at the Academy of Beaux-Arts in Paris, befriending the French architect Constant-Dufeux who helped shape his career and aesthetic. He eventually became the director of architectural services for the Seine in tandem with his painting career, and is accredited with the construction of the Bourse du Travail in Paris. Though the artist remained based in Paris, he traveled frequently to Italy to paint Venice from observation, preferring to sell his work through dealers rather than having a public life. His son, Noel Bouvard, followed in his footsteps to become a landscape painter in a style similar to his father’s. The senior Bouvard died in 1956. More on Antoine Bouvard

Slobodan Paunovic, Serbia

Il Rio del Lovo, Venezia

Acrylic on Canvas

24 W x 28 H x 1 D in

Private collection

Slobadan Paunovic was born in September of 1946 in Belgrade, Serbia, where he continues to live and paint. As a regular student at the Faculty of Architecture, he has had paintings and graphic exhibited there. His mediums are oil or acrylic on canvas and his style would be described as impressionism.

He has had most of his Solo Exhibitions in Luxury Resort Galleries on the Montenegro Coast. Over the past decades, he has exhibited and been sold in Galleries in the famous Island hotel St Stefan and also The Maestral in Miloche. More on Slobadan Paunovic

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01 Painting of the Canals of Venice, Henri Duvieux's VIEW OF VENICE, with footnotes. #107

Henri Duvieux, (1855 - 1920)

VIEW OF VENICE

Oil on Canvas

33 x 24.5 cm

Private collection

Henri Duvieux was born in 1855 in Paris. He entered his artistic studies as a student of Marilhat and after his debut at the Paris Salon in 1880 he continued to depict representations of Venice and Constantinople throughout his career. 

Duvieux was influenced by the considerable nineteenth-century interest in Orientalism but he chose to concentrate his interest on landscapes and architecture and the effect of differing conditions of light in relation to them. He followed up his 1880 Salon debut by showing Campement Arabe (Arab Encampment) in 1882, which also marked his final appearance at the Salon. His paintings proved popular, striking a note with the considerable audience to whom this type of imagery appealed, acting as a memento of their travels. More on Henri Duvieux

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01 Painting of the Canals of Venice; Martin Rico y Ortega's Venetian Canal on a Sunny Afternoon, with footnotes. #106

Martin Rico y Ortega, (Spanish, 1833-1908)

Venetian Canal on a Sunny Afternoon

Oil on canvas

29 ¾ x 19 7/8 in. (75.6 x 50.5 cm.)

Private collection

Martín Rico y Ortega (12 November 1833, El Escorial – 13 April 1908, Venice, Italy) was a Spanish painter of landscapes and cityscapes. Rico was one of the most important artists of the second half of the nineteenth century in his native country, and enjoyed wide international recognition.

Rico was born in Madrid and received his earliest formal training at the city’s Real Academia de Bellas Artes de San Fernando, where he studied under Jenaro Pérez Villaamil. In 1860, having been awarded a government-sponsored scholarship, Rico moved to Paris to continue his studies.

His landscapes depict the French and Swiss countryside in a fully accomplished Realist style. Toward the end of 1870, due to political and social unrest caused by the outbreak of the Franco-Prussian War, Rico decided to leave France and return to his native Spain.

Rico moved to the southern city of Granada, joining Fortuny and his wife Cecilia, as well as the painter Ricardo de Madrazo. The three artists worked closely during this period, with the styles of Rico and Fortuny overlapping so much that their watercolors—a specialty for both artists—were often confused for one another. It was during this time that, through Fortuny’s influence, Rico’s paintings began to reveal a newfound sense of luminosity and color. His time in Andalucía was, according to his memoirs, one of his happiest, and also one of his most artistically productive periods. More on Martín Rico y Ortega

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01 Painting of the Canals of Venice, Karl Kaufmann'sA Venetian Scene, with footnotes. #105

Karl Kaufmann

A Venetian Scene, c. 1888

Oil on canvas

50 x 82 cm

Private collection

Karl Kaufmann (born 1843 in Neuplachowitz, Austrian Silesia; † 27. April 1905 in Vienna) was an Austrian landscape and architectural painter. Kaufmann was a student at the Vienna Academy. His studies in the European North (Norway), to Holland, Germany (Franconia, Danzig, Königsberg) and often to Italy (Naples, Rome, Venice) gave him the motives for his numerous landscapes, including a remarkable number of views of Venice.

From 1900 Karl Kaufmann constantly lived in Vienna. He often signed his works using pseudonyms. Among various other names, Byon, H. Carnier, W. Carnier, F. Gilbert, O. Halm, C.Charpentier, J. Holmstedt, Charles Marchand, R. Merkner, B. Lambert, E. Leutner, M. Heger, Hobart, L. van Howe / van Hove, R. Jäger, Laarsen, Lundberg, F. Marchant, J. Marchant, C. Poul, F. Rodek, J. Rollin, Taupiac, L. Voigt or R. Benda, have often been used. More Karl Kaufmann

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01 Painting of the Canals of Venice, Samuel Melton Fisher's Revellers at the Carnival, with footnotes #104

Samuel Melton Fisher, RA (British, 1859-1939)

Revellers at the Carnival, Venice

Oil on canvas

183 x 153.5cm (72 1/16 x 60 7/16in)

Private collection

The painting capturs the vitality, colour and opulence of the Venice Carnival.

Samuel Melton Fisher, RA (British, 1859-1939) studied at the Lambeth School of Art and Royal Academy Schools between 1876 and 1881, winning a gold medal and a travelling scholarship; travelling to Paris, he studied with Jules Bonnaffé. His work In Realms of Fancy was purchased by Chantrey Bequest in 1898 and later in his life he returned to portrait and figure painting, possibly for financial reasons. More on Samuel Melton Fisher

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01 Painting of the Canals of Venice; Friedrich Paul Nerly's Veduta di Venezia/ View of Venice, with footnotes. #103

Friedrich Paul Nerly, (Italian, 1824-1919)

Veduta di Venezia/ View of Venice

Oil on canvas

39.3 x 90cm (15 1/2 x 35 7/16in)

Private collection

Friedrich Nerly or Federico Nehrlich (October 26, 1842 – 1919) was a german painter who specialized in seascapes.

Nerly was of Prussian nationality. He completed his first studies with his father, a well known landscape artist. He later enrolled in the Academy of Fine Arts of Venice. In 1862–65 and in 1866, he served in the army. He visited the principal artistic cities of Germany: Düsseldorf, Weimar, Munich, and Dresden. In 1868, he traveled to Francia, Austria, Dalmatia, and Montenegro, and visited Rome, Naples, and Sicily.

He moved to Naples and Sicily to paint. More on Friedrich Paul Nerly

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01 Painting of the Canals of Venice, Edward Pritchett's A busy Venetian waterway with footnotes. #102

Edward Pritchett, (British, 1828-1864)

A busy Venetian waterway; On a Venetian canal

Oil on canvas

30 x 40.5cm (11 13/16 x 15 15/16in)

Private collection

Edward Pritchett (fl. 1828 – 1864) was a nineteenth-century English painter and man of mystery.

Nothing is known of Pritchett's life; he has appropriately been described as "elusive." He may have lived to 1879. Pritchett spent more than three decades living and working in Venice, producing admirable views of the city; he was one of a group of English artists who produced notable records of the scenes of northern Italy, a group that included John Wharlton Bunney, James Holland, the brothers-in-law Luke Fildes and Henry Woods, and, in a later generation, William Logsdail. More on Edward Pritchett

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01 Painting of the Canals of Venice, Louis Abel-Truchet's THE VEGETABLE MARKET IN VENICE, with footnotes. #101

Louis Abel-Truchet, VERSAILLES 1857 - 1918 AUXERRE

THE VEGETABLE MARKET IN VENICE

Oil on canvas

51 x 60,4 cm ; 20 by 23 3/4 in

Private collection

Louis Abel-Truchet, 1857 - 1918,  was an important French painter, etcher and lithographer in his lifetime. He was born in 1857 in Versailles. He is predominantly known for his paintings depicting Paris at the turn of the century, with cafés, theatres, shops, everyday life and fashionable Parisians forming an essential part of the subject matter.

He exhibited from 1891 in various salons and was a founding member of the Salon d'Automne and the Societe des Humoristes. He also exhibited at the Salon des Artistes Français and the Société Nationale des Beaux-Arts, becoming a member in 1910.

Though influenced by impressionism, Abel-Truchet is also satirical at times and his work focused on the Belle Epoque, linking him with artists such as Galien-Laloue, Forain and Steinlen.

In 1914, aged fifty seven, he volunteered to fight in the World War One. He was to produce a series of lithographs depicting scenes from his experiences. He commanded a section of fighting troops during the war and was awarded the Legion of Honour and La Croix de Guerre. Abel-Truchet died in service in the last few months of the war. More on Louis Abel-Truchet

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01 Painting of the Canals of Venice, Giuseppe Borsato's Grand Canal in Venice, with footnotes. #100

Giuseppe Borsato, VENICE 1771 - 1849 VENICE, ITALIAN SCHOOL

Grand Canal in Venice, c. 1829

Oil on canvas

54,2 x 64,2 cm ; 21 1/2 by 25 1/4  in.

Private collection

The Grand Canal in Venice, Italy forms one of the major water-traffic corridors in the city. Public transport is provided by water buses and private water taxis, and many tourists explore the canal by gondola.

One end of the canal leads into the lagoon near the Santa Lucia railway station and the other end leads into Saint Mark Basin; in between, it makes a large reverse-S shape through the central districts of Venice. More Grand Canal

Giuseppe Borsato (1771 in Venice – 15 October 1849 in Venice) was an Italian. From 1791 to 1792, he studied with Agostino Mengozzi-Colonna at the Accademia di Belle Arti.

He painted interiors of churches, sometimes in the manner of Canaletto, but was also influenced by his contemporary, Vincenzo Chilone. Among his best known decorative works are those at St Mark's Basilica and Santa Maria Gloriosa dei Frari. In 1807, he and his student, Francesco Bagnara, decorated the Teatro La Fenice. He also painted frescoes in the Palazzo Zabarella during its renovation in 1818, alongside Francesco Hayez and Giovanni Carlo Bevilacqua.

In 1815, his paintings were used in a popular guide to the artworks of Venice, written by Giannantonio Moschini. In 1831, his lectures at the Accademia di Belle Arti were published by the Accademia as Opere Ornamentale. More on Giuseppe Borsato

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01 Painting of the Canals of Venice, Jack Lestrade's Venice, with footnotes. #99

Jack Lestrade (French/American, b. 1932)

Venice

Watercolor on paper

12-3/4 x 19 inches (32.4 x 48.3 cm)

Private collection

Jack Lestrade was born in South West France, in Gascony, in 1932 He has always been attracted to traveling to special places to do what he likes the most, painting. Self-taught, he spent five years in Canada and more than forty years in the United States of America. He became well established as an internationally respected watercolor artist, as well as being featured in four watercolor books. He has participated in numerous "one-man shows" and his work is in many public and private collections around the world. Jack and his wife reside most of the year in the Lot region in South West France, dividing their time between France and the United States. He is a member of the Carmel Art Association. He is also a member of “Artists' Fellowship”of New York City, and was a member of the “Arts et Lettres de France”. More on Jack Lestrade

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