01 Painting of the Canals of Venice, with foot notes. #73

Sir Muirhead Bone, (SCOTTISH 1876-1953) 

MIDNIGHT IN VENICE 

Coloured chalks 

52cm x 32cm (20.5in x 12.5in)

Private collection

Sir Muirhead Bone, (born March 23, 1876, Glasgow, Scotland—died October 21, 1953, Ferry Hinksey, Oxford, England), Scottish artist who is best known as an etcher and drypoint engraver of architectural subjects.

Bone first studied architecture and then art at the Glasgow School of Art. Attracted to the picturesque aspect of buildings, he began to depict views of his native town of Glasgow, among them Portfolio (1899), a series of etchings, and Glasgow: Fifty Drawings (1911). He generally worked in drypoint or, as a draftsman, he used pencil, charcoal, and sepia. In 1901 he moved to London, where a 1903 exhibition of his works established his fame. Throughout his career, Bone focused primarily on architectural and landscape subjects, sometimes depicting locations from his foreign travels.

In 1936 Bone published Old Spain, a popular two-volume collection of watercolours and drawings accompanied by a text by his wife. During World Wars I and II he served as official artist with the British forces. He was knighted in 1937. More on Sir Muirhead Bone

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01 Painting; the Canals of Venice, with foot notes. #72

John Randall Bratby R.A. (BRITISH 1928-1992) 

VENICE WASHING, c. 1988

Oil on canvas 

122cm x 92cm (47.5in x 35.8in)

Private collection

John Randall Bratby RA (19 July 1928 – 20 July 1992). Despite inauspicious beginnings at Kingston School of Art (which he left upon failing an intermediate exam in arts and crafts), John Bratby's enormous artistic potential soon earned him a scholarship to the Royal College of Art, and would see him become one of the major, and most colourful, figures in twentieth century British art. Originally drawn to Neo-Romanticism, in the post-war years Bratby would become a key exponent of the Kitchen Sink Movement, representing a dramatic shift towards realism and a sharp focus on the details of everyday existence, coupled with an angry sense of social inequality. 

Bratby's work was always suffused with intense colour, and this, along with the less specifically working-class setting of his paintings, distinguished his art from that of his contemporaries, though collectively they would represent Britain in the Venice Biennale of 1956. Although initially left uninspired by Italy when he visited it on a travelling scholarship, after the tumultous years of the 1950's in which he was decried and celebrated in equal measure by the British media, Italy, and Venice in particular, would prove an enduring fascination for Bratby.

He would travel throughout the eighties, creating works such as this painting, typical of his oeuvre in its thickly-applied and vibrant-toned paint, and in its celebration, not of the architectural glories of Venice, but rather the somewhat more quotidien detail of its residents' washing stretching over a canal to dry. More on John Randall Bratby

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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