Franz Richard Unterberger, 1837 - 1902, AUSTRIAN
RIO DEI OGNISSANTI WITH SANTA MARIA DEL ROSARIO, VENICE
Oil on canvas
78.5 by 119.5cm., 31 by 47in.
Private collection
Painted from the Rio dei Ognissanti looking north west, facing the Ponte Trevisan with the church of Santa Maria del Rosario in the background. More on this painting
The Rio degli Ognissanti is a canal of Venice in the sestiere of Dorsoduro.
Santa Maria del Rosario, is an 18th-century Dominican church in the Sestiere of Dorsoduro, on the Giudecca canal in Venice, northern Italy. The classical style building has a well-lit interior and is exceptional in preserving its original layout and Rococo decoration intact. The church and almost all its sculpture and paintings were created within a thirty-year period: construction began in 1725, the church was consecrated in 1743, and the last sculptural decoration was in place by 1755. More on Santa Maria del Rosario
The Ponte Trevisan was built primarily using Mattoni, Intonaco e Pietra d'Istria. It crosses the Rio dei Ognisanti bridging a gap which is 15.98 meters. The bridge is not a crooked bridge. On the northern side of the bridge is the sestiere of Dorsoduro and on the southern side is also Dorsoduro .There are 2 ramps. On the north side there are 12 steps, on the south side there are 10 steps. This results in a total of 22 steps. The height of a typical step is 13 meters, the thickness of a step is about 49 centimeters, and the width of a step is about 2.2 meters.The steps are paved with Asfalto. The summit is 2.2 meters wide and 3.6 meters in length for a total area of about 7.92 meters. The bridge's Vuoto Geometrico railing is made of Metallo e Pietra d'Istria and is about 4.00 meters wide is about 0.82 meters tall. Finally, the bridge protrudes 2.7 meters to the North and 3.3 meters to the South. More on The Ponte Trevisan
Franz Richard Unterberger, 1837 - 1902, was born in Innsbruck, Australia. He was one of 11 children of an art dealer. Unterberger started his studies in 1853 at the Munich Academy, alongside Julius Lange and Albert Zimmerman. In 1860, Franz continued his studies at Düsseldorf, which was the favored academy for Scandinavian painters studying abroad. Here he produced several atmospheric mountainous scenes. By the 1870’s Unterberger was already exhibiting in major cities across Europe including: Paris, Boston, Munich, Brussels, Berlin and Vienna among others. More on Franz Richard Unterberger
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