01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #18

Andre Hambourg, 1909-1999 (French) 
L''orage pour ce Soir/ The storm for this evening, c.1989 
Oil on canvas 
h:22 w: 27 cm
 Private collection

André Hambourg (5 May 1909 - 4 December 1999) was a French impressionist, whose numerous works have earned international acclaim. His romantic compositions of Venice, luminous seascapes, and charming beach scenes, are synonymous with the highest standards of French painting.

André Hambourg was born in Paris on 5 May 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the École nationale supérieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old at the time. Because of the early recognition of his talent, Hambourg became active in the important Paris salons in the first stages of his developing career. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. More on André Hambourg












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01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #17

Rubens Santoro, 1859 - 1942, ITALIAN
GRAND CANAL, VENICE
Oil on panel
14 3/4 by 8 7/8 in., 37.5 by 22.5 cm
Private collection

The Grand Canal in Venice, Italy forms one of the major water-traffic corridors in the city. Public transport is provided by water buses and private water taxis, and many tourists explore the canal by gondola.


One end of the canal leads into the lagoon near the Santa Lucia railway station and the other end leads into Saint Mark Basin; in between, it makes a large reverse-S shape through the central districts of Venice. More Grand Canal

Rubens Santoro (October 26, 1859 in Mongrassano, Province of Cosenza, Calabria – 1942 in Naples) was an Italian painter. He moved to Naples at 10 years of age, to study literature, but his inclination was painting. He only briefly enrolled at the Neapolitan Academy, instead, real life was his model. His first work was a small and simple genre piece: A Girl who Laughs, exhibited at the Promotrice. Domenico Morelli took note and encouraged him.


Santoro continually changed his vistas, painting in Torre Annunziata, Castellammare di Stabia, Procida, the Amalfi Coast, and Resina. During the long trips to the open countryside, he distracted himself by playing the mandolin. Many of his Amalfi landscapes were bought by the Goupil Gallery. Two were displayed at the 1877 Exposition at Naples: Marina di Maiuri and Grotta degli Zingari.  He moved to Paris, and after an excursion in England, returned to Naples even more prolifict. His painting Verona, exhibited at 1911 exhibition of Barcelona was awarded a Silver medal. More on Rubens Santoro












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01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #16

Antonio Ermolao Paoletti, (1834–1912)
A Venetian beauty, c. 1912
Oil on canvas
61 x 90.5 cm
Private Collection

Antonio Ermolao Paoletti (May 8, 1834 in Venice – December 13, 1912 in Venice) was an Italian painter, mainly of Venetian genre scenes, recalling Bamboccianti life of children and women, as well as sacred fresco work for churches in the Veneto.

Antonio attended courses at the Accademia. He displayed in various exhibitions. Among his many frescoes is the main altarpiece depicting the Madonna of the Rosary with St Anthony and St Materno (1863) for the parish church of Melara. Like his father, Antonio also became a professor at the Accademia. More on Antonio Ermolao Paoletti









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02 works, The Canals of Venice by the artists of their time, with foot notes. #17

NICOLAS RUEL
Dell'Academia (Venice, Italy), 2017
Photograph printed on stainless steel
40 × 80 in, 101.6 × 203.2 cm

The Grand Canal in Venice, Italy forms one of the major water-traffic corridors in the city. Public transport is provided by water buses and private water taxis, and many tourists explore the canal by gondola.


One end of the canal leads into the lagoon near the Santa Lucia railway station and the other end leads into Saint Mark Basin; in between, it makes a large reverse-S shape through the central districts of Venice. More Grand Canal

Nicolas Ruel was born in Montreal in 1973. Since more than a decade, the photographer has explored the evolution of civilization and urbanism throughout three series, namely, Civilization, Cityscape and Monochrome, with a particular focus on historical sites and metropolises. The artist has developed both singular printing techniques and an in-camera double-exposure method to create unique visual signatures. His works have been featured in solo and group exhibitions in Canada, Europe and the United States. His photographs are part of numerous public and private collections, namely, Musée des beaux-arts de Montréal, Power Corporation, Loto-Québec, Groupe Financier Banque TD, BMO Groupe financier, The Rothschild Group et Microsoft. Nicolas Ruel has won eight LUX Grand Prizes. More on Nicolas Ruel

NICOLAS RUEL
San Marco (Venice, Italy) , 2017
Photograph printed on stainless steel
40 × 80 in, 101.6 × 203.2 cm

Piazza San Marco or St. Mark’s Square is the main public square in Venice.  The Piazza is located in front of the great Byzantine church known as Basilica di San Marco. This Piazza is surrounded by shops, caffè’s and palazzi on three sides. According to local legend Napoleon called the Piazza San Marco “the drawing room of Europe.” More on Piazza San Marco












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01 Paintings of the Canals of Venice by the artists of their time, with foot notes. #15

Bernardo Bellotto, VENICE 1722 - 1780 WARSAW
VENICE, PIAZZA SAN MARCO LOOKING EAST TOWARDS THE BASILICA
Oil on canvas
61 x 92.7 cm.; 24 x 36 1/2  in.
Private collection

The artist trained in the studio of his uncle, Canaletto, and by the age of sixteen was producing work of such quality that it was indistinguishable from, and indeed often sold as, the work of his celebrated uncle. As is the case for most of Bellotto's early paintings, the design closely follows a work by Canaletto.

The sight of the Basilica of San Marco and the Campanile flanked by the Procuratie Vecchie and the Procuratie Nuove from the West end of the Piazza down its central axis has always been one of the quintessential Venetian views, and it is hardly surprising that the many paintings of it by Luca Carlevarijs, Canaletto, Michele Marieschi and Francesco Guardi are often among those artists’ most impressive works. Canaletto’s earliest view of it in the Museo Thyssen, Madrid, datable to circa 1723, as it shows the new pavement of the Piazza designed by Andrea Tirali in the process of being laid, has long been considered one of the great masterpieces of the painter’s first style. More on this painting

Piazza San Marco or St. Mark’s Square is the main public square in Venice.  The Piazza is located in front of the great Byzantine church known as Basilica di San Marco. This Piazza is surrounded by shops, caffè’s and palazzi on three sides. According to local legend Napoleon called the Piazza San Marco “the drawing room of Europe.” More on Piazza San Marco

Bernardo Bellotto, (c. 1721 or 30 January 1721 – 17 November 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedute of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of the famous Giovanni Antonio Canal Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto. In Germany and Poland, Bellotto called himself by his uncle's name, Canaletto.
can
Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views. More on Bernardo Bellotto





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03 Paintings of the Canals of Venice by the artists of their time, with foot notes. #14

Antonio Maria de Reyna, Spanish, 1859-1937 
A Venetian Canal 
Oil on canvas 
13 1/4 x 28 1/2 inches (34.9 x 74.9 cm)
Private collection

Antonio Maria De Reyna Mascau ( Coin , December 5 , 1859 - Rome , 3 February 1937) was a Spanish artist , and among the most original of his time in Italy.

From a young age he showed a predisposition and great passion for drawing, thanks to this outstanding talent, he was enrolled in painting classes at the School of Fine Arts in Malaga , where he began his artistic training.

Antonio become a celebrity in his hometown, the County Council awarded him an annuity paiment so he could expand his studies and his knowledge. This revenue allowed him to move to Italy, where he could devote himself to the study of the old masters

He chose Rome, where he visits with the most important artists of the time, and where he married the opera singer Beatrice Mililotti De Santis. Thanks to his wife's, he had important commissions from the most important families in the city.

He was considered one of the most significant authors of Venetian view painting in the nineteenth and twentieth century. He painted palaces and Venetian architecture, for this reason it was referred to as the painter of Venice using a very personal technique, which gave the works, a vibrant and intense light through a very rich palette chromatically. He has exhibited at the National Academy of Fine Arts in Paris in 1887 and also participated in 1901 and 1911 at the Great Exhibition of Rome.


Antonio Reyna, along with Senet has continued the tradition started by Martin Rico y Ortega, painters of light and color on the canvas that have set their impressions through animated pictorial images from the canals, gondolas, Venetian palaces and squares. More Reyna Mascau 

French School, 19th Century 
View of the Bacino San Marco, Venice 

Oil on panel 
10 x 16 inches (25.5 x 40.7 cm) 
Private collection

The view, among the most famous that Venice affords, shows the harbor basin and shipping, and the waterfront from the Mint, at left, to the incomplete façade of the church of the Pietà and beyond. 

19th-century French art was made in France or by French citizens during the following political regimes: Napoleon Bonaparte's Consulate (1799-1804) and Empire (1804-1814), the Restoration under Louis XVIII and Charles X (1814-1830), the July Monarchy under Louis Philippe d'Orléans (1830-1848), the Second Republic (1848-1852), the Second Empire under Napoleon III (1852-1871), and the first decades of the Third Republic (1871-1940).


Many of the developments in French arts in this period parallel changes in literature. More on French School, 19th Century

Jean Dufy, (1888 - 1964)
Venise, Le Grande Canal, c. 1929
Oil on canvas
25 1/2 x 31 1/2 inches (65 x 80 cm)
Oil on canvas

Dufy’s composition depicts the Grand Canal in Venice. Characteristic of his style, this work is full of color and movement. Gondolas float leisurely on the canal, while a lively throng of pedestrians pass along the canal’s banks. Some seem to be waiting for their turn on the gondola, while others are merely passersby. Most of the figures are depicted in pairs, most noticeably the sailors in white uniforms walking toward the building on the left, and a pair of ladies dressed in black walking toward the viewer. The brown, white and peach tones of the buildings complement the expansive blue, white, pink and yellow sky framing the scene. More on this painting

Jean Dufy (b Le Havre, France, 1888; d La Boissière, 1964) French Painter. Following his service in the military, from 1910-1912, Jean Dufy relocated to Paris. Inspired by the work of Braque and Picasso, Dufy created watercolors that expressed a heightened understanding of color and light. In the mid-1920s, Jean Dufy became captivated by the music of the time, such as Darius Millaud and Francis Poulenc, and incorporated this interest into his artwork. While depicting orchestral and musical subjects, Dufy later became enchanted by the coast of Northern France and began to create majestic and effecting landscapes. Throughout the 1950s Dufy explored Western Europe and North America, but inevitably returned to his watercolors and oils of Paris. Just two months after the death of his wife, Ismérie, Jean Dufy died in 1964 in La BoissiereMore Jean Dufy












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01 Work of the Canals of Venice, Martín Rico y Ortega's Gondolier in a Venetian Canal, with footnotes. #125

Martín Rico y Ortega, Spanish, 1833 - 1908 Gondolier in a Venetian Canal Oil on canvas 20 by 16⅛ in.; 50.8 by 41 cm Private collectio...