David Roberts, R.A., EDINBURGH 1796 - 1864 LONDON
VENICE, APPROACH TO THE GRAND CANAL, c. 1855
Oil on canvas
25 1/2 by 45 1/2 in.; 64.8 by 115.6 cm.
Private Collection
David Roberts RA (b Stockbridge [now a district
of Edinburgh], 24 Oct. 1796; d London, 25 Nov. 1864). Scottish painter.
He was apprenticed to a house painter, then worked as a scene painter for
theatres in Edinburgh and Glasgow. In 1822 he settled in London and worked at
the Drury Lane Theatre with his friend Clarkson Stanfield. From 1833 he
travelled widely in Europe and the Mediterranean basin and made a fortune with
his topographical views.
He worked in oil and watercolour and published lavishly
illustrated books, among them the six-volume Views in the Holy Land, Syria,
Idumea, Arabia, Egypt and Nubia (1842–9). His work can be monotonous when seen
en masse, but at his best he combines bold design with precise
observation. More David
Roberts
John Singer Sargent, (American, born Italy, 1856-1925)
Santa Maria della Salute, c. 1904
Translucent and opaque watercolor and graphite, with graphite underdrawing
18 3/16 x 22 15/16in. (46.2 x 58.3cm)
Brooklyn Museum
Sargent’s underdrawing for the church is meticulously executed in straight ruled graphite lines, whose end points are visible at the bottoms and tops of columns. Horizontal ruled lines of the stairs are visible through the washes of the figures in the boat. In contrast, the boats and figures in the foreground have minimal underdrawing and are rendered in loose, mostly wet washes. Sargent used a sharp tool to scrape off paint and create the squiggly highlights on and around the boats. This is the largest Sargent watercolor in Brooklyn’s collection. More on this painting
Santa Maria della Salute, commonly
known simply as the Salute, is a Roman Catholic church and minor basilica
located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice,
Italy.
It stands
on the narrow finger of Punta della Dogana, between the Grand Canal and the
Giudecca Canal, at the Bacino di San Marco, making the church visible when
entering the Piazza San Marco from the water. The Salute is part of the parish
of the Gesuati and is the most recent of the so-called plague-churches.
The dome of the Salute was an important addition
to the Venice skyline and soon became emblematic of the city, inspiring artists
like Canaletto, J. M. W. Turner, John Singer Sargent, and Francesco Guardi. More
on Santa Maria della Salute
John Singer Sargent (January 12, 1856 – April 14,
1925) was an American artist, considered the "leading portrait
painter of his generation" for his evocations of Edwardian era luxury.
During his career, he created roughly 900 oil paintings and more than 2,000
watercolors, as well as countless sketches and charcoal drawings. His oeuvre
documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East,
Montana, Maine, and Florida.
His parents were American, but he was trained in Paris
prior to moving to London. Sargent enjoyed international acclaim as a portrait
painter, although not without controversy and some critical reservation; an
early submission to the Paris Salon, his "Portrait of Madame X", was
intended to consolidate his position as a society painter, but it resulted in
scandal instead. From the beginning his work was characterized by remarkable
technical facility, particularly in his ability to draw with a brush, which in
later years inspired admiration as well as criticism for a supposed
superficiality. His commissioned works were consistent with the grand manner of
portraiture, while his informal studies and landscape paintings displayed a
familiarity with Impressionism. In later life Sargent expressed ambivalence
about the restrictions of formal portrait work, and devoted much of his energy
to mural painting and working en plein air. He lived most of his life in
Europe. More
John Singer Sargent
John Singer Sargent, (American, born Italy, 1856-1925)
Venice in Grey Weather, c.1880 - c.1882
Oil, canvas
50.8 x 68.6 cm
Private Collection
John Singer Sargent, (American, born Italy, 1856-1925), see above
Thomas Bush Hardy, 1842 - 1897
Boats in Venice
Watercolor
26 x 20 cm.
Private collection
Thomas Bush Hardy (1842, Sheffield
– 1897, Maida Vale, London) was a British marine painter and
watercolourist. As a young man he travelled in the Netherlands and Italy. In
1884 Hardy was elected a Member of the Royal Society of British Artists. He
exhibited with the Society and also at the Royal Academy.
His paintings feature coastal scenes in England and the
Netherlands, the French Channel ports and the Venetian Lagoon.
Hardy had nine children. His son Dudley Hardy was a
painter, illustrator and poster designer. His daughter Dorothy received an MBE
after working as a nurse in the First World War. He died on 15 December 1897 in
Maida Vale, London. More on Thomas Bush
Hardy
VENITIAN AT HER TOILET, c. 1860
Oil on canvas
148 by 96cm., 58¼ by 37¾in.
Private collection
Jacques-Louis-Jules David, 1829-1886, was the grandson of the immensely influential neo-classical Jacques-Louis David. Additionally, Jules David was an art historian in his own right, and among his grandfather's first biographers. He entered the Ecole des Beaux-Arts in 1849 where he studied with Cogniet and Picot. More on Jacques-Louis-Jules David
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